{"id":182,"date":"2024-04-29T21:01:37","date_gmt":"2024-04-29T21:01:37","guid":{"rendered":"http:\/\/localhost:8888\/sawberries\/2024\/04\/29\/lauren-fensterstock-mosaic-sculptures\/"},"modified":"2024-04-29T21:01:37","modified_gmt":"2024-04-29T21:01:37","slug":"lauren-fensterstock-mosaic-sculptures","status":"publish","type":"post","link":"http:\/\/localhost:8888\/sawberries\/2024\/04\/29\/lauren-fensterstock-mosaic-sculptures\/","title":{"rendered":"Lauren Fensterstock\u2019s Cosmic Mosaics Map Out the Unknown in Crystal and Gems"},"content":{"rendered":"
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\u201cBeyond Mind\u201d (2023), vintage crystal, glass, quartz, obsidian, tourmaline, and mixed media, 27 x 26 x 13 inches. Photo by Luc Demers. All images \u00a9 Lauren Fensterstock, shared with permission<\/p>\n<\/div>\n

When a massive star dies, it collapses with an enormous explosion that produces a supernova. In some cases, the remains become a black hole, the enigmatic phenomenon that traps everything it comes into contact with\u2014even light itself.<\/p>\n

The life cycle of stars informs the most recent works by artist Lauren Fensterstock<\/a>, who applies the principles of such stellar transformations to human interaction and connection. From her studio in Portland, Maine, she creates dense mosaics of fragmented crystals and stones including quartz, obsidian, and tourmaline that glimmer when hit by light and form shadowy areas of intrigue when not.<\/p>\n

Cloaking sculptures and large-scale installations, Fensterstock\u2019s dazzling compositions evoke natural forms like flowers, stars, and clouds and speak to cosmic and terrestrial entanglement. \u201cI have to admit that I agonize over the placement of every single (piece),\u201d the artist shares. \u201cThere are days where it flows together like a magical puzzle and other days where I place, rip out, and redo a square inch of surface again and again for hours. Even amidst a huge mass of material, every moment has to have that feeling of effortless perfection.\u201d<\/p>\n

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\u201cThe totality of time lusters the dusk\u201d (2020), mixed media, installation at The Renwick Gallery of the Smithsonian American Art Museum. Photo by Ron Blunt<\/p>\n<\/div>\n

The gems are sometimes firmly embedded within the surface and at others, appear to explode outward in an energetic eruption. Celestial implosions are apt metaphors for transformation, the artist says, and \u201cpairs of stars speak to the complexities of personal connections\u2026 In the newest work\u2014which explores vast sky maps filled with multiple constellations\u2014I attempt to move beyond a single star or an isolated self to show the entanglement of the cosmic whole.\u201d<\/p>\n

While beautiful on their own, the precious materials explore broader themes in aggregate.\u00a0 Just as astrology uses constellations and cosmic machinations to offer insight and meaning into the unknown, Fensterstock\u2019s jeweled sculptures chart relationships between the individual and the universe to draw closer to the divine.<\/p>\n

The artist is currently working toward a solo show opening this fall at Claire Oliver Gallery<\/a> in Harlem. Inspired by her daily meditation practice, she\u2019ll present elaborately mapped creations of lotuses, black holes, fallen stars, and a bow and arrow that appear as offerings to the universe. In addition to that exhibition, the artist is showing in May at the Shelburne Museum<\/a> and will attend a residency<\/a> in Italy this September, to work on a book about entanglement and artist muses. Find more about those projects and her multi-faceted practice on her website<\/a> and Instagram<\/a>.<\/p>\n

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Detail of \u201cDwelling\u201d (2023), vintage crystal, glass, quartz, and mixed media, 18 x 16 x 13 inches. Photo by Luc Demers<\/p>\n<\/div>\n

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Left: \u201cThe Undiluted\u201d (2023), vintage crystal, glass, quartz, obsidian, tourmaline, and mixed media. Photo by Luc Demers. Right: \u201cThe Unhurt\u201d (2023), vintage crystal, glass, quartz, and mixed media, 22 x 27 x 14 inches. Photo by Luc Demers<\/p>\n<\/div>\n

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\u201cThe totality of time lusters the dusk\u201d (2020), mixed media, installation at The Renwick Gallery of the Smithsonian American Art Museum. Photo by Ron Blunt<\/p>\n<\/div>\n

\"left:<\/p>\n

Left: \u201cThe Many\u201d (2023), vintage crystal, glass, quartz, and mixed media, 38 x 38 x 10 inches. Image courtesy of Claire Oliver Gallery. Right: \u201cHeart of Negation\u201d (2022), vintage crystal, glass, quartz, and mixed media, 54 \u00d7 54 \u00d7 14 inches<\/p>\n<\/div>\n

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\u201cEclipse\u201d (2022), vintage crystal, glass, quartz, obsidian, tourmaline, and mixed media. Photo by Luc Demers<\/p>\n<\/div>\n

\"three<\/p>\n

\u201cThe Order of Things\u201d (2016), shells and mixed media<\/p>\n<\/div>\n

Do stories and artists like this matter to you? Become a Colossal Member<\/a> today and support independent arts publishing for as little as $5 per month. The article Lauren Fensterstock\u2019s Cosmic Mosaics Map Out the Unknown in Crystal and Gems<\/a> appeared first on Colossal<\/a>.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u201cBeyond Mind\u201d (2023), vintage crystal, glass, quartz, obsidian, tourmaline, and mixed media, 27 x 26 x 13 inches. Photo by Luc Demers. All images \u00a9 Lauren Fensterstock, shared with permission When a massive star dies, it collapses with an enormous explosion that produces a supernova. In some cases, the remains become a black hole, the […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,306,238,307,308,212,309],"tags":[],"_links":{"self":[{"href":"http:\/\/localhost:8888\/sawberries\/wp-json\/wp\/v2\/posts\/182"}],"collection":[{"href":"http:\/\/localhost:8888\/sawberries\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/localhost:8888\/sawberries\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/localhost:8888\/sawberries\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/localhost:8888\/sawberries\/wp-json\/wp\/v2\/comments?post=182"}],"version-history":[{"count":0,"href":"http:\/\/localhost:8888\/sawberries\/wp-json\/wp\/v2\/posts\/182\/revisions"}],"wp:attachment":[{"href":"http:\/\/localhost:8888\/sawberries\/wp-json\/wp\/v2\/media?parent=182"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/localhost:8888\/sawberries\/wp-json\/wp\/v2\/categories?post=182"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/localhost:8888\/sawberries\/wp-json\/wp\/v2\/tags?post=182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}